Spiritual Perspectives


 

RICHLAND HILLS, RICK “ABIHU” ATCHLEY, AND INSTRUMENTAL MUSIC (3)

Gary W. Summers

 

 

     The New Testament is the only document that can authorize what Christians ought to practice in worship (Col. 3:17; cf. John 12:48).  Anyone who has ever seriously read the New Testament knows that no musical instruments are ever said to accompany Jesus or the apostles in their singing.  No church ever incorporated their use.  The Holy Spirit certainly gave no command to play them; neither will the earnest Bible student find any Scriptures that imply that they should or might be part of the sincere worship of Christians.  But Rick Atchley of the Richland Hills church finds proof in numerous texts—or so he thinks.  Someone (in fact, everyone) needs to carefully scrutinize his “arguments,” which bear no resemblance to anything logical.

Five Reasons for Accepting Instrumental Praise

 

1.   “Jesus never deals with the issue.  The anti-instrumental advocates must speak where Jesus never did.  You would think He would if this was worth splitting His church over.”  If Christians oppose abortion, rape, or homosexuality, are they speaking where the Lord never did?  Jesus used the Greek word porneia, which includes homosexuality, but He did not use the specific Greek word for that sin.  Should we argue, therefore, that these things must be unimportant?  Did the Lord say, “Don’t sprinkle people in place of baptism”?  For that reason we operate by what we have authority to do; we do not look for a specific denunciation of a practice.

 

Anything not authorized by direct statement, example, or implied by a valid principle is worth splitting the church over.  Perhaps if some brethren in the early church would have opposed choosing one bishop as head of a congregation, the manmade structure of the Roman Catholic Church might not have emerged.  No one knows what might result from an unopposed error (such as voting on whether or not to reaffirm elders).

Besides, our friend “Abihu” has things backward.  Perhaps he ought to answer this question.  When congregations are not using instruments, and brethren (lacking Biblical authority) have determined to introduce them, who causes the split?

 

      Atchley argues that music (symphanos) was being played in honor of the return of the prodigal son and that, therefore, anti-instrumental people would have a hard time arguing against instrumental praise.  Is there some reason Rick does not cite the passage (Luke 15:25)?  The older son heard music and dancing.  No one called an impromptu worship assembly; the household was celebrating.  Why don’t the elders at Richland Hills see this kind of error as loose handling of the Scriptures?

 

      Jesus taught regularly in the temple in the presence of instrumental praise, Atchley observes, yet He only cast out the moneychangers—not the musicians.  Catchy, huh?  If musicians were playing music while Jesus was present, it is not mentioned.  Furthermore, their doing so would not have violated the Law of Moses.  Making money off of religion, however, was despicable; Jesus expressed His displeasure.  Although Atchley later castigates brethren for arguing from silence, he does it himself—and incorrectly at that.  Nothing he said here relates to the issue; he gave no valid argument.

 

2.       “Instrumental music is a non-issue in the book of Acts.”  Right—brethren never used it.  Rick makes another argument from silence, however, claiming that the disciples met daily in the temple courts; so they must have been able to worship in spirit and in truth in the presence of instrumental music.  One wonders if those temple musicians ever got a break from blowing their trumpets and strumming their harps.  Was the place ever quiet?  Atchley assumes what he cannot prove.

He adds that nowhere in the New Testament is congregational singing specifically authorized.  So, he laments having a lack of Bible authority when it suits his purpose!  Later he will take issue with the need for authority.  The fact is, however, that congregational singing is one way of following what Ephesians 5:19 and Colossians 3:16 teach.

 

3.   “New Testament commands to sing neither prescribe nor prohibit instrumental music.”  He cites the two Scriptures mentioned above, along with James 5:13.  Atchley affirmed repeatedly, as if attempting to convince himself, that these verses  speak to the individual and that the corporate setting is not in the context of any of the verses.  They are all dealing with daily living.  Really?  Exactly how is one brother to sing to another, if he is alone?  He has a point on James 5:13, but the other two involve others.

 

“The only verse dealing with singing in the assembly is 1 Corinthians 14:15, and that brother sang a so-lo,” which anti-instrumental brethren forbid, Atchley avers. This verse does not authorize solos; in the first-century church brethren had various miraculous gifts as it pertained to the revelation of the Word.  Some spoke in another language (not com-monly known by those present); some prayed in a different language, and some sang the message.  No one is exercising such gifts today; they were designed to become obsolete when the complete Word of God was delivered (1 Cor. 13).  A cappella singing means “in the style of the church.”  Ephesians 5:19 and Colossians 3:16 do authorize congregational singing, which is what the church did, according to history.

 

Atchley asserted that there is no command to sing only—that the command is to sing.  To say sing means “sing only,” he continues, is a human inference that comes dangerously close to speaking where God has not spoken (as Atchley did in his two previous points).  He added that we don’t use the word that way today and wondered if we could honestly say that Christians would have done so in the first century.  The answer is, “Yes.  In light of the fact that Jesus, the apostles, and the church never used instrumental accompaniment, it is fair to think that when they read or heard the word sing, they understood it to mean “sing only.”

 

4.       “The New Testament refers to instrumental music in heaven.”  Shades of Joplin!  One of the speakers there argued: “Instrumental music was used in praise of God under the Law, and it’s going to be in heaven.  You might as well become accustomed to using it in the Christian age.”  Rick rounded up Revelation 5:8 and 15:2-3 to prove his position.  Knowing what some might say, Rick tried to head off objections by warning everyone that whether these passages are literal or figurative is irrelevant.  Who made that decision?  What verse teaches that hermeneutical principle?

Revelation 5:8 also talks about golden vials filled with odors.  Are those literal, or does it matter?  The other passage speaks of a sea of glass mingled with fire.  Will Atchley actually argue that all of the images in the book of Revelation are literal—or that it doesn’t matter?

 

      He claims that the worship of God described in the two passages is going on right now in heaven and then asks, “Am I honestly to believe that God accepts in heaven what He despises on earth?”  The point would be more persuasive if everyone was not aware of the fact that Revelation is a book of symbols, which the alert reader senses as early as chapter one.

 

5.       “The New Testament idea of giftedness supports the practice of instrumental praise.”  If musicians in the Old Testament could praise God by playing instruments, why may we not do so now? Rick wonders.  He cites Psalm 150:3 and 2 Chronicles 30: 21.  Could it be that we are under the New Testament and not the Old?

 

Many churches allow acting and painting, he continued.  Why not instrumental music?  Hmm!  What passage was that which authorizes acting?  When did the apostles operate a playhouse instead of proclaiming the gospel?  When did brethren paint for one another as worship?  Rick stated (incorrectly) earlier that Christians have no authority for singing in the assembly.  Apparently, then, a lack of authority does not bother him, since brethren sing anyway—and act—and paint—and dance.

 

To bolster the notion that, if you have a talent, you should use it in worship to God, Atchley read an e-mail from one of Richland Hills’ young ladies.  She had written it a few months earlier to encourage the leadership there to adopt the alternative service.  She reasoned that some people connect with God best when instrumental music is used and that she has found a passion of depth in such praise.  The question, however, is: “Who knows best how to define spiritual worship?”—men or God?  No one doubts that painters, dancers, and musicians derive satisfaction from their efforts, but God did not incorporate such physical manifestations into New Testament worship.

 

Atchley bemoaned, “Why do we want to make it difficult for unbelievers to worship with us?  Why do we want to make it difficult for our own children?  You can’t open your Bible and show me where God forbids it.  The New Testament was not even remotely concerned about it.  The cross was central in worship.”  Again, the New Testament does not forbid dancing in worship, either; what we need is a passage that authorizes dancing, using incense, painting, playing instruments of music, or smoking marijauna in an effort to draw closer to God.  The cross is central to our preaching, along with respecting the authority of Christ (Matt. 28:18).

Sniper Fire

 

     The material just presented (and refuted) is the best Atchley can do after reading everything that had ever been written (allegedly) on both sides of the issue.  It seems doubtful that he is even aware of The Highers-Blakely Debate, which occurred only twenty years ago and reviewed the arguments made in favor of instrumental music over the years.

 

     One of those is based on the Greek word psallo.  Our brethren have rightly taught that this word once included the idea of musical accompaniment but that by the time of the New Testament it just meant to sing.  We have taught this fact—not because we made it up in order to sound impressive—but because lexicons say that it happened that way (Thayer, for example).  Rick says that the bulk of scholarship disagrees with us, and he mentions the names of Josephus, Suetonius, Chrysostom, and Gregory of Nyssa.  Unfortunately, he provided no passage that any of these men wrote so that we might read what they said and understand the context in which they said it.  Perhaps the reader has seen the size of the volume of the writings of Josephus (published in small print).  No one wants to read through 1,000 pages in an effort to figure out what Atchley is alluding to.

 

     He says that the Bible of the first Christians used psalmos and that they clearly understood that the word meant use an instrument.  This argument was advocated in 1920 and shortly thereafter defeated when it was pointed out that, if Christians are to psalmos to one another (Eph. 5:19; Col. 3:16), then each one must sing and play an instrument.  It is obvious by just reading the two verses that singing only is meant, but if not then no one could keep the command unless he sang AND played a musical instrument.

 

     He poses the question: “Is it any wonder that this explanation seems contrived to anyone except those in an anti-musical instrument tradition?”  This writer attended the Methodist Church while growing up.  When it was later explained by members of the Lord’s church that there is no authority for instrumental music in worship, it was one of the easiest principles for him to understand.  Most use it because they like it—not because a compelling argument exists in favor of it.

 

     Next Atchley bemoaned the Law of Exclusion—the teaching that anything not specifically authorized is forbidden.  Well, he got that wrong, also.  Brethren have never argued in that way.  What we have said is that we must have authority for what we teach and what we practice, which Paul himself taught (Col. 3:17).  No one has ever required “specific” authority.  Implication involves the correct application of Biblical principles.  Meeting in a church building, for example, is a legitimate means of keeping the commandment to assemble together (Heb. 10:25).  No one has ever said, “I demand to see a Scripture that mentions a church building.”  Atchley is wrong in his depiction of us requiring specific authority.  He knows better. 

     Next he lists things brethren have divided over and then says: “Silence is not intentional; it is incidental.  Silence is not prohibitive or prescriptive.”  The great scholar who allegedly respects the authority of the Scriptures must not have read Hebrews 7:14 lately, in which the Holy Spirit argues that only Levites could be priests because of the other tribes Moses spoke nothing.  In other words, God was silent.

 

     Abihu” actually accused the Lord of violating the law of silence.  “Where does God authorize a synagogue?  Jesus taught in one.  Where did God authorize a feast of lights?  Such was begun by the Maccabees.  Where does the Passover authorize using cups of wine?”  Such questions are irrelevant.  People were to teach God’s word; synagogues were simply a means to do so.  The feast of lights was a tradition that had begun; so is the Fourth of July.  Neither of these is required to worship God properly.    We do not know what, if anything, the Israelites drank with their initial Passover.  If it was wrong to use the fruit of the vine in connection with the meal, Jesus would not have done so.  Evidently, it was a matter of indifference.  Atchley does not have a logical argument with any kind of proof to offer.  He is like a sniper on an overpass, firing bullets with the desire that, if he shoots enough of them, he will hit something.  He has not hit any target yet.

 

The Two Problems

 

     As he concludes his December 10th speech, Atchley reaffirms that he has no problem with a cappella music and that there is nothing wrong with it (unless as he interpreted earlier, we must play an instrument).  Then he concludes with two final points.

 

1.       “No one, not already indoctrinated would arrive at such a conclusion” (that instrumental music should not be used in worship).  He is obviously ignorant of the fact that thousands of us have given it up.  He further claimed that most of our schools don’t even try to teach the anti-instrumental position any more (which may be true).  Most of our pulpits no longer teach it, either (quite likely).  He said a visitor asked him why we have communion; he opened the Bible and showed them.  He wanted to know why we baptize; he opened the Bible and showed him.  He asked why we don’t use music; “I did not open my Bible.”  Many of us would—to Colossians 3:17, which is not hard to understand.

 

2.       “God does not vacillate, liking instrumental music under one covenant but not another.  Why would He hand someone a harp in heaven after condemning to hell someone who used it on earth?”  God accepted the sound of instruments under the old covenant, but this one has progressed to a higher level of worship—one in which the voice is sufficient and the noise of instruments has been stilled.  Crowns we knew would be available.  Is someone laboring to receive a harp?  Atchley assures people that God will not consign people to hell for something He did not say.

 

 

*Send comments or questions concerning this article to Gary Summers. Please refer to this article as: "Whatever the article name from above is (01/28/07)."

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